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2007.09.20.Thursday 21:23:21

While in the Sedona Chamber of Commerce I found a great tourist map. I was going to take a picture of it and post it, but instead I found the website of the map publisher. On the website it has an interactive version of the map. You can also purchase the map for $1.95. The map is great since it points out places of interest. It also has insets showing the nearby Village of Oak Creek and Jerome.

I strongly recommend this map if you are going to spend anytime in Sedona. If you don’t want to pay $1.95 you can also stop by the Sedona Chamber of Commerce (Uptown Gateway Visitor Center) and pick up a copy for free. You probably can find the map at the other four visitor centers. For more information on the Sedona, Arizona visitor centers click here.

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2007.09.20.Thursday 21:13:11

There are five visitor centers in Red Rock Country. Three of them are considered “Gateway” visitor centers, because they are at the main entrances into Sedona. The visitor centers provide restrooms, recreation information, Chamber of Commerce information, Arizona Natural History Association maps and guidebooks, and Red Rock Pass information.

South Gateway Visitor Center
Phone: (928) 284-5323
Hours: Daily 8:30a-5:00p
Highway 179 in the Village of Oak Creek in Tequa Plaza

Uptown Gateway Visitor Center
Phone: (928) 282-7722
Hours: Monday-Saturday 8:30a-5:00p; Sunday 9:00a-3:00p
Highway 89A and Forest Road in Uptown Sedona in the Sedona Chamber of Commerce

North Gateway Visitor Center
Hours: Daily 9:00a-4:00p; Winter hours subject to weather
Highway 89A at Oak Creek Vista Overlook

Oak Creek Visitor Center
Phone: (928) 203-0624
Hours: Daily 8:00a-4:30p
Indian Gardens in Oak Creek Canyon
*Fishing licenses and supplies available

Red Rock Ranger Station
Phone: (928) 282-4119
Hours: Monday-Friday 8:00a-4:30p
Located off FR618 at Beaver Creek

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2007.09.20.Thursday 20:52:04

If traveling in or around Sedona, Arizona a nice place to stop off for a half day is Montezuma Well, which is a unit of Montezuma Castle National Monument. There is no entrance fee to access the well.

Montezuma Well

Directions
Take exit 293 off of I-17. Continue through McGuireville and Rimrock. Follow the signs until you reach the well.

Montezuma Well
Montezuma Well is 368 feet across and 56 feet deep. The Well has a constant flow of 1.5 million gallons of warm water (74 degrees Fahrenheit) that enter it from underground springs. As the water passes through the surrounding limestone it collects dissolved carbon dioxide until it reaches a concentration nearly 100 times greater than most other water bodies. As a result, no fish can live in the water. However, there are other living organisms, plant and animal, some which cannot be found anywhere else.

Water exits the Well through a 300-feet long cave and empties into an irrigation ditch. There is a trail which leads away from the rim of the Well and to the cave outlet. You can take the trail and see where the water exits and the irrigation ditch.

Irrigation Ditch

Cliff Dwellings
Along the rim of the Well you can see Sinagua cliff dwellings. You cannot actually access them, but from the top of the rim you can stand within feet of the ruins.

Cliff Dwellings

Trail
There is a short trail which starts at the top of the rim, you can venture down the sides of the Well until you get to the water’s edge. The hike down takes less than 5 minutes and is not particularly steep. Once at the bottom, the only way back up is the same way down.

At the top of the Well you can take the trail around the rim and down the other side to view the irrigation ditch and the water outlet. If you follow the path it loops back around and deposits you where you started.

In total a trip to Montezuma Well could take as short as half and hour up to two hours if you take your time.

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2007.09.20.Thursday 17:09:38

Phoreign Vietnamese Restaurant

Recently I had dinner at Phoreign, a Vietnamese Restaurant located next to the 405 freeway in West Los Angeles, California. It is located in a mini-mall just north of Olympic Boulevard on the west side of Sawtelle Boulevard. It is a medium-sized restaurant, with indoor seating for approximately 40 people and outdoor seating for about 10 people.

When I went dinner for two cost about $24. We ordered some rolls, two bowls of noodle, and coffee. The meal certainly satisfied and was very tasty. I liked the jalapeno peppers which were served with the pho tai, although I don’t think it is authentic, it spiced up the soup real nice. The coffee I had was their Cafe Sua Da (Vietnamese Style Coffee), which was dripped. I also got it iced. The picture below is of the Pho Tai.

Phoreign Vietnamese Restaurant

If you go to Phoreign, you may want to skip their desert and go down the block to the corner of Olympic and Sawtelle, and in the mini-mall there you will find Pinkberry.

Street Address:
2123 Sawtelle Boulevard
Los Angeles, California 90025.

Phone: (310) 477-4885

Fax: (310) 477 4864

Lunch Special Hours:
Monday - Friday 11:30a-3:00p

Dinner Hours:
Monday-Thursday 3:00p-10:30p
Friday 3:00p-11:00p
Saturday 11:30a-11:00p
Sunday 11:30a-10:00p

Click Here to see MENU

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2007.09.20.Thursday 16:07:53

The second camera in Sony’s Alpha DSLR lineup will be available around September 28, 2007. The camera model is the DSLR-A700, and like the DSLR-A100 will be available on the Sony site for purchase without a lens, or in a kit. There are two kits, the DSLR-A700K and the DSLR-A700P. The “K” kit includes the SAL-1870 zoom lens, while the “P” kit includes the SAL-16105 zoom lens. The DSLR-A700 is aimed at “serious amateurs”. The body alone is priced at $1,399 while the DSLR-A700K is $1,499 and the DSLR-A700P is $1,899.

The DSLR-A700 features a 12.24 APS Exmor CMOS Sensor, Super SteadyShot Image Stabilization technology, Sony’s Bionz Processor, and up to 5 frames per second at 12.24 MP. It also includes Sony’s anti-dust technology, which physically shakes the CCD to dislodge dust.

Like the Alpha 100 the 700 can be used with all the Sony lenses as well as Minolta’s a-mount lenses.

The LCD screen is 3.0″ and contains 921k pixels. For comparison the DSLR-A100’s LCD is 2.5″, containing only 230k pixels. Those of us comfortable using the Alpha 100 should notice a big difference.

For the Alpha 100, Sony opted for a built-in Compact Flash media slot on the camera and included a Memory Stick PRO adaptor. For the Alpha 700, Sony decided to install a built-in slot for both Compact Flash and Memory Stick PRO Duo Media.

It also includes a wireless remote control for HDTV photo viewing and shutter release.

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2007.07.23.Monday 20:57:51

The 23rd Annual Twilight Dance Series is currently going on throughout the summer at the Santa Monica Pier. The dance series consists of a concert every Thurday at 7:30p between June 28th and August 23rd. Each week different bands are featured.

The schedule this summer is as follows:

June 28th - Worldwide Surf Music

The Ventures
Boom Pam

July 5th - Rock and Roll With a Twist
David Linkdley
John Cruz
Brandi Shearer
July 12

July 9 - Salsa Salsa Salsa
Plena Libre
The Spam Allstars

July 26 - Reggae Night

August 2 - Zydeco and Southwestern Party Music!
Queen Ida and her Zydeco Band
Hacienda Brothers

August 9 - Gospel/Spiritual Hip-Hop
Arrested Development
Agape International Choir

August 16
An Evening With Patti Smith

August 23 - A Little Bit Country…
Homes Brothers
Carrie Rodriguez

August 30
An Evening With Los Lobos

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2007.07.21.Saturday 00:11:26

Electronic waste is recycled free of charge for the residents of Santa Monica in Santa Monica, California.

Any and all electronic waste, including computers, monitors, stereo equipment, is accepted by the Santa Monica Department of Solid Waste Management, free of charge. Bring your old electronic waste to the Santa Monica Refuse and Transfer Station.

Santa Monica Refuse and Transfer Station MAP
2401 Delaware Avenue
Santa Monica, California 90404
(310) 829-7323
Open Monday through Saturday, 6:00a to 2:00p.

They accept scrap metal for free as well.

They accept the following materials for a fee (calculated by weight):
Tires
Organics: yard/food waste
Construction and demolition debris
Cardboard
Refuse

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2007.07.17.Tuesday 18:20:46

Fireworks Photograph

Taking photographs of fireworks displays is quite easy and produces great looking photographs.

What You Will Need
You will need your camera and a tripod.

Setting Up
Of course, first find a great vantage point to view the fireworks. Then set the camera on the tripod and generally frame the scene that you will want to take. You will probably have to wait for the first fireworks to go off to determine the height of the fireworks, but you will probably have a good idea of what to expect, by how far back from the fireworks they keep the crowds.

Reducing The Blur
If you have a shutter release cable for your camera use it, otherwise, if your camera has a 2 second timer use that instead. This is to reduce any shaking of the camera which might be caused by your pressing the shutter release button. If you don’t have a cable release or your camera doesn’t have a 2 second timer, you could try the timer anyway, but that usually is 10 seconds, and that seems like a really long time while fireworks are popping overhead. Otherwise, you could be extremely gentle and try to coincide your hitting the shutter release with a a lull in the fireworks, so that any shake will subside by the time the next fireworks takes off. The final method will likely result in blurring of any background that is in the scene. If that is what you decide to resort to, try also taking pictures above any features on the ground, so that only the sky is captured, any blurred effect will greatly reduced on the night the sky.

Focus on infinity.

Aperture And Shutter Speed
You should be shooting in manual mode. Take a light reading with your camera, when there are fireworks in the air, this will tell you the proper exposure you must make for the fireworks. 1) Meter for the area where the fireworks are, without the fireworks. 2) Once first fireworks discharge, meter the fireworks, noting how many more stops the fireworks are than the dark. 3) adjust exposure for the fireworks.

Now, when adjusting for the fireworks, keep in mind what type of shot you want. Since you can compensate for shutter speed by adjusting the aperture and vice versa, you can control how the fireworks will look. The longer the shutter speed you take, the more fireworks you may capture in your image. If your shutter speed is too fast, than you will not capture even one fireworks discharge.

If you want to keep the shutter open for a long time, you should keep know that if fireworks repeatedly fire off in the same spot in your image that area will be overexposed, i.e., white.

I would recommend an exposure of ten seconds to start off with.

If the length of exposure is what you want, but the fireworks are not bright enough then open your aperture, or if the fireworks are too dark, close your aperture.

ISO
Since you are propping your camera on a tripod, even though it is dark outside, you can still shoot with your camera set to ISO 100.

Recommended Settings
The settings for shooting fireworks can vary greatly, subject to many variables, but a good starting point is to set your ISO to 100, shutter speed to around 5 seconds, and aperture to f/10. After your first shot, check your image and make sure you readjust as necessary. Check out the photos below, the settings are listed for each one.

Saturation and Contrast
Whether you are shooting with a digital SLR or digital point and shoot, most cameras will give you some control over the saturation. This is a good opportunity to boost the saturation one to two levels and bring out the colors in the scenery. If you use this setting, check quickly after each shot to see how it looks. If you overdo it the colors can start to look exaggerated, fake. Properly applied the vibrant colors against the black night sky can really give your images a dramatic look.

Another setting that can add a little drama to the scene is the contrast setting. Again, like saturation, many digital cameras today allow you to adjust the contrast in your photos in the camera. And again, like saturation, this feature can be overused so check your images after you make adjustments to the contrast. Turning up the contrast on your photo will make the dark sky even darker against the light from the fireworks.

Click here to see how to adjust the contrast on a digital point and shoot.

Keep Shooting
Taking photographs of fireworks, by its nature, is a random endeavor. You cannot predict what you will be taking a picture of, since the fireworks haven’t gone off by the time you hit the shutter release; you don’t know what fireworks you will capture, or where they will go off. Since that is the case it is important that you don’t stop shooting pictures, until the fireworks display is over; otherwise you might end up with some dark smoky shots.

Examples
The photo at the top of the article was taken at ISO 100, F/25 for 13 seconds.

This photo was taken at ISO 100, F/11 for 4 seconds.

Sparkling Fireworks

This photo was the finale of the show. The settings were ISO 100, F/9 for 5 seconds.
Fireworks Finale

The settings above can be used as a rough guide. The first photo was taken for 13 seconds, while the last two photos were for 4 and 5 seconds. However, the last photo represents more of what you should expect with longer exposure shots. Even though it was only for 5 seconds, it was the finale and they were shooting of a lot more fireworks simultaneously than previously. Thus, more fireworks were shot off in those 5 seconds than in the 13 seconds of the first photo at the top of the article. Notice that in the bottom photo, the larger amount of fireworks resulted in an overexposed center, i.e., although the fireworks were colored the center of the plume turned out all white. Also, not as many fireworks were discharged at the top of the scene, so the green and red explosions came out nicely exposed.

Finale
So, next time I am taking pictures of fireworks I have to remember to anticipate the finale and turn down the speed and open up the aperture. Maybe 2 seconds at F/6.3. Alternatively, I could try to capture the finale and the amount of fireworks by keeping it open for just as long and maybe just closing the aperture up to 1 f/stop to turn down the brilliance of the center.

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2007.07.17.Tuesday 18:05:48
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2007.07.17.Tuesday 18:02:12

When shooting at points of light, you can easily turn those points of light into starbursts using a cross screen filter or star filter.

However, you can still capture a starburst effect by closing your aperture as small as it can go. To produce the best effect you should stop down to around f/20 and beyond. The lower you go, the more exaggerated the effect. Unfortunately, some point and shoot cameras will not stop down that low, even on a manual setting. If shooting with a SLR, for the best effect, use a wide-angle lens at its smallest aperture.

The smaller the aperture, the more the incoming light is diffracted, thus producing the starburst effect. Try it out with your night time photography for a really cool effect. Remember when taking night time photography you will want a tripod to keep the camera steady. Exposure times typically will last seconds, rather than the usually fraction of a second. Additionally, since you will be closing your aperture for the starburst effect, to counteract the diminished amount of incoming light, you will want even longer exposure times. Notice in the examples below, the first photo is underexposed at 5 seconds. The second photo was taken at 10 seconds and was closer to a better exposure.

The following photos were both taken with my Sony Alpha 100 DSLR at ISO-100 and at F/22, without a filter. Exposure times were 5, 10, and 20 seconds in order (you can see the images getting brighter).

Starburst Effect Without Filter 5 sec

Starburst Effect Without Filter 10 sec

Starburst Effect Without Filter 20 sec

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